The book „From Material Space(time) into Electronic Space(time)“ by Paloma Kop @palomakop
is very interesting for me. Even if i create my live coding animation digitally. She uses analog techniques as input and when mixing.
My experience is that when i mix real world footage into the digital animations the results are much more vivid.
Help us help others.
Resquatting Lucky Luyk (Wiederbesetzung Lucky Luyk) - Amsterdam 1981
I wrote up a few options on how to preserve Flash projects here: https://rhizome.org/editorial/2020/dec/21/flash-preservation/
At the bottom of that page you have the option to donate so Rhizome can upsize its emulation infrastructure to keep bringing Flash to the web.
Hey fedi, the Recurse Center is offering up to $1000 to trans/non-binary/women programmers for upcoming batches. RC changed my life and is just an amazing experience/community -- see here for more: https://www.recurse.com/blog/156-were-offering-grants-for-our-spring-2-and-summer-1-batches
hello @erikblagsvedt I saw you just followed my old account too. This is my most active one. Have any questions regarding getting the fediverse to work for you?
DeepDotWeb administrator—who received over $8 million in kickbacks for promoting links to illegal Darknet marketplaces—pleads guilty to money laundering charges.
“And so with translations from a literature of the (or a) future. The fact that it hasn’t yet been written, the mere absence of a text to translate, doesn’t make all that much difference. What was and what may be lie, like children whose faces we cannot see, in the arms of silence. All we ever have is here, now.”
excerpt from Always Coming Home by Ursula K Le Guin
Speaker Music - Soul-Making Theodicy
the personal instance of Liaizon Wakest